on collections

20% off sale at half-price books, three locations, and $50 later here is what i came away with. SO stoked that i'm building up my library :) i can't wait to read all of this. hopefully i will put a big dent in this list in 2010.

aristotle
the politics

the nicomachean ethics


nietzsche
the birth of tragedy and the genealogy of morals

henrik ibsen
hedda gabler
a doll's house

richard brinsley sheridan
the school for scandal

george bernard shaw
heartbreak house
arms and the man
pygmalion

arthur schnitzler
hands around


jean racine
phedre


eugene o'neill
beyond the horizon

c.s. lewis
miracles: a preliminary study

aristophanes
the complete plays

saint augustine
confessions

j.m. synge
the playboy of the western world and riders to the sea


tom stoppard
travesties

voltaire
philosophical letters

william congreve
the way of the world

anton chekhov
the three sisters

euripides
medea
the bacchae


aeschylus
the oresteia trilogy (two different translations)

william shakespeare
hamlet
julius caesar
macbeth
the taming of the shrew
a midsummer night's dream
othello
the sonnets

beowulf

heroes and monsters of greek myth

homer
the odyssey

massie
augustus

petronius
the satyricon

dante alighieri
inferno

hans anderson
fairy tales and legends

tennessee williams
the glass menagerie

moliere
the misanthrophe

oscar wilde
the importance of being earnest

virgil
the aeneid

wheelock's latin (a textbook! for $5.50!)

gabriel garcia marquez
one hundred years of solitude

sophocles
oedipus the king

an anthology of greek drama

the empiricists
(including locke, berkeley, hume)

five greek tragedies
(sophocles, euripides, aeschylus)

immortal poems of the english language
(shakespeare, milton, keats, eliot, years, hopkins, donne, tennyson, whitman, frost)

eight great tragedies
(aeschylus, sophocles, euripides, shakespeare, ibsen, strindberg, yeats, o'neill)

the best american non-required reading, 2008

like a crystal chandelier in a houseboat


finished extremely loud and incredibly close a couple of days ago and loved it. i had been looking forward to reading this after finishing everything is illuminated at the beginning of fall semester. commence customary text-quoting sequence....now.



i started inventing things, and then i couldn't stop, like beavers, which i know about. people think they cut down trees so they can build dams, but in reality it's because their teeth never stop growing, and if they didn't constantly file them down by cutting through all of those trees, their teeth would start to grow into their own faces, which would kill them. that's how my brain was.

'well, if people like me are a dying breed, then what's going to happen to your business?' 'we'll become specialized,' he said, 'like a typewriter shop. we're useful now, but soon we'll be interesting.'
i needed to do something, like sharks, who die if they don't swim, which i know about.
the eyes that can't take in all of the change
was i walking up the ladder or down?

the books had been buried, so i hid this time behind a group of trees, i imagined their roots wrapped around books, pulling nourishment from the pages, i imagined rings of letters in their trunks
how could anything less deserve to be destroyed?

i understand, now, the tragedy of my childhood. it wasn't the bombing.it was that i never once liked a photograph of myself. i couldn't.
it's like new york is a miniature replica of new york, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

on days come and gone

between a conversation i had last night and the last hour or so of purging old emails, im a tad bit nostalgic. no, not nostalgic. i dont really look fondly upon my past...not on any of it. everything was always tainted with the reminders of what preceded it

on early mornings

i haven't blogged in a while and i'm currently doing everything in my power to stay awake, so now is as good a time as ever, right? well, honestly i'm a little wired at the moment, but i know i'm going to crash soon. hospital coffee will only last me so long before i start getting sick to my stomach. i woke up this morning really nauseous and even more unwilling to pry myself out of bed. luckily this trip to the hospital isn't because of me, but rather for billy's mom. this trip has been everything but what i expected, and i know the next 48 hours are going to be the hardest yet because my departure is imminent and the time i have with billy will be even less than the last few days.

i can't possibly have enough time with this boy, my fella, my love. he makes me say the most outrageous things and i mean every one of them, which scares me half to death. i mean, i love this boy enough to wake up an hour before sunrise to make small talk with his mom and spend the day at the hospital with her. the anthropologist in me just keeps screaming "affines, affines!" but i'm biting my tongue. i really want to like her, and she's great, but i have my moments while my misanthropic side still gets the best of me. my mind has no tolerance for redundancy, inflexibility, or illogical actions, but i'm doing my best. its hard to believe that his mom is closer in age to my grandparents than to my parents and reminding myself of that definitely makes me more fond of her. she really is a great lady but the circumstances under which im being forced to get to know her are far from ideal. here's to the worst preceding the best. i hope.

last night has left me giddy. something about being around him rejuvenates me and energizes me like no other. i was exhausted and half-asleep driving to pick him up from work, but the moment i was back in his arms, looking in his eyes, there isn't a thing in the world that can keep me from him. i'm sure as time goes on, some of the impractical aspects will fade away (i can't stay up until 3 or 4 or 5 every night and remain a functioning member of society for much longer) but i know my love for him is not fading. impossibly, it is growing stronger and i'm so glad there is no expiration date. oh, i guess that leads me to my good news. two things, one related to this train of thought and one not. i guess i'll follow the logical path first.

news bulletin! there is nothing standing in the way of my happiness any longer (at least until june). no surgery in my imminent future and biopsies that are miraculously clean. yesterday morning was the best morning i can remember and i know that waking up isn't a chore knowing that the (potentially bad) news isn't looming over me. this is the first good news about my health i have received in three years, post-surgery excluded, and it couldn't have come at a better time. no more obstacles, no more hurdles. just me, my fella, and a future brighter than my dizziest daydream. let's be honest, there weren't even daydreams. or hopes. or a future. all these delusional conceptions of dying young and never growing old seem silly now that i have him in my life. he gives me hope and meaning and a reason for a future. he is my future, and all of hesitance and misgivings that i may have seem meaningless and trivial in the shadow of the light he has brought into my life. three cheers to good health, good love, good mornings.

other good news! i managed to get a set of perfectly balanced grades. B+, B+, A-, A, A in my classes. high Bs in my translation courses are better than i could ask for, A- in faulkner (slightly disappointing, but probably deserved) and two As otherwise. never again will i deal with this silly 20 hour nonsense. two more semesters until i'm free from millsaps myself. i'm sure what exactly my future holds, but i know teaching and school will define and shape my path. all i know is that my path no longer has an end in sight and i will have someone with me every step of the way. there is nothing more a girl could ask for.

...okay, i don't really want to end my blog with a line like that. it makes me sound silly and antiquated. i never thought i would be that girl. i'm so unequivocally his, however, i don't really care how silly and demeaning it sounds. for now it is time for more coffee and (seemingly) endless hours of waiting. until next time

it started so simply, with such good and simple intentions

i finished reading dave eggers' you shall now our velocity today on the plane. travel, grief, searching, loss, being an outsider. what more could i ask for? i'm glad i finally picked it back up again.

i'm falling more in love with the idea of knowing the what, and reading a book to learn the why. a detective novel of sorts, with all the pieces laid out, and a gradual accumulation not of evidence, but of explanation.


already i don't want to leave. did you feel that air? it's different. it's african air. it's like mixed with the sun more. like our air isn't mixed as well with the sun. here they mix it perfectly. the sun's in the wind, the sun's in your breaths.

friendships, even temporary ones like this, were based on proximity and chance, and so rarely made any sense at all.

it wasn't a dull pain; it was acute, almost sweet

it's irrelevant. who cares how many universes or planes there are when they don't intersect? [. . .] but what i wanted, really, was every option, simultaneously. not in some parallel and irrelevant universe, but here.

but you're talking behind seven layers of denial and justification

as we walked under the infrequent streetlights we had two and three shadows, as one light cast our shadow up and the other down, sometimes overlapping. the lights didn't know what they were doing. the lights knew nothing.

we come and then we create things that will happen. . . half thought, half actual. it's a staging ground.

you have to forget about momentum and start again, and again, and again, and again.

at that moment i was sure. that i belonged in my skin. that my organs were mine and my eyes were mine and my ears, which could only hear the silence of this night and my faint breathing, were mine, and i loved them and what they could do. . .i was sure that was how people drowned; not with a fight, not with thrashing but with thoughts of rest.

i can't be alone with my head, Hand. i fear it. my own head! there was a time when i wanted and loved time alone with my mind. now i dread it [. . .] all the while i was caressing every wall of my head. i was wandering around my head, teary with joy, wistful even, loving the surfaces, the many rooms, the old rooms and empty rooms [. . .] but slowly these empty rooms were filled. filled with things so wretched and brutal that you could not have conceived of them at thirteen. and soon you find there are too many rooms, too many occupied rooms, too few empty ones. i walk through my corridors and i open doors and now it's so hard to find a room unoccupied or not full of screaming clouds.

it's too much to walk around with this skin and this blood - it all hisses at me. i sink into my blood and it hisses at me.

the idea was to solve the problems of the world via removal, withdrawal, starting with me.

why all of this? i want this cleared away. i have no use for this shit anymore. it's sending me back. . . i need less memory. no memory. i need

he looked at me like a father would, when a father knows his son needs a mother.

instrumental in traveling is the participation in it, the belief in progress, the witnessing of passage.

the only motion i knew was relative motion, the only speed that truly felt like speed was when i was speeding past things.

soft curves and such green. i had never lived anywhere with this kind of drama.

i couldn't think of anything i'd done in six months that brought me anywhere new or proved in any way i'd been there, that i'd been taking air from the world and using it to any justifiable end.

knew what was what, knew that none of it really meant anything, or meant everything but in a way we wouldn't ever really understand.

everything was wrong all at once.

this was very real. this was our lives, the whole of our relatively straightforward lives, concluding savagely on this bizarre note, someone splicing onto our happy safe wisconsin lives the wrong, bloody ending.

the only infallible truth of our lives is that everything we love in life will be taken from us.

everyone in the world knew more than us, about everything, and this i hated then found hugely comforting.

i would know that in any city, at an hour like this, there are people sleeping. that most people are sleeping. but that in any city, in any cluster of people, there are a few people who are awake at this hour, who are both awake and dancing, and it's here that we need to be. that if we are living as we were this week, that we had to be awake with the people who were still dancing.

and i then would have the idea, seeming gloriously true for a flickering moment, that we all should have a near-death experience weekly, twice weekly-how much we'd get done! the clarity we'd know!

nothing we did ever resembled in any way what we'd envisioned. maybe we couldn't help but make a mess everywhere we went

always we learned things and forgot them. almost nothing could be learned for good.

i was so sick of my name it pained me.

-every story, Hand, is sadder than ours.
-every last one.

how much disbelief, collectively, must be suspended, to allow for tourism?

-but still there will be retribution. i have had mine. and we all are punished. it happens first within our minds and then in the physical world.
-no. there will be retribution. i have had mine. and we all are punished. it happens first within our minds and then in the physical world.

but Will, your life has been lived a hundred times. a thousand times. it's not all that great, really. don't take it so seriously. don't handle it so delicately.

i want none of my own thoughts anymore. i want to donate my head.

i am tingling for the world. but i was already raw. i didn't realize how raw. then we planned this trip and i thought i could do more, that i could do better. but now i want to see the end.

i live again. love is implicit in every connection.

we want the world smaller and bigger and just the same but advancing.

only intermittently did the world give us tasks, in quick beautiful bursts, that we had to complete and feel electric and roaring while doing so.

your destiny daily is determined by the failings of the world

you are usually there but you have to always be present [. . .] i wanted something to happen so my choices would be fewer, so my map would have a route straight through, in red.

no, they made it sound okay. it's like a density thing. apparently they wanted that density of soul. the density is desirable. apparently they see the soul the opposite as we do, where it's the lightest thing, this wispy ghost thing. they think of it like a mountain. like a mountain each of us carries around, and you want your mountain strong and dense, because that means your family has lived lives of great experience. but the trick i guess is to find a way to move around.

i planned nothing well. i dreaded being back in chicago, or memphis, wherever - the stasis, the slow suffocation of accumulation.

advice so rarely finds its intended audience

with lantern dreams

everyone grows old on the gold coast
it takes a lot of hope to grieve
everyone gets dark and the worst part
is the way those thoughts can please you
personality like a split screen
see yourself down on your knees

hold out your hand, darling
say please

everyone gives up down on hard luck
on hope aint enough it seems
everyone gets lost in their own fog
have to wonder on with lantern dreams
say please, please
just say something
speak up, please
if its what youre looking for

hold out your hand, darling
say please


on adoration

there is something about picking up a new book, spine still completely intact. unbent, undamaged, unexplored. a page yet to be turned, only the slightest inclination of what is yet to come, the first utterances still unknown. there is something inexplicably comforting about starting anew, fresh hopes with preconceived expectations neither of which are ever reconciled.

then a few days pass, a few weeks if you're diligent, and before you know it the charm is gone. the corners are bent, some pages catch a little differently and the cover isn't all that it used to be. by this point you have already forgotten what it was like to lovingly open the pages and begin to explore, desperately searching for something you can never quite pinpoint, something of which you cannot preemptively conceive. this early notion of what was to come was more shaped by your own transference of expectation than of the reality of what you were to face.

one day, likewise, you are going to start to see my creases, the lines left from reckless days come and gone which may have been flattened out under the pressure of something greater, graver... but whose mark is still impossible to miss, ever present like a scar on the character of who i am, corrupting what might have at first appeared ideal. the novelty will fade and the discordant nature of these two conceptions, what was and what will be, unequivocally and diametrically opposed, will tear whatever semblance of cohesion that may be remaining apart. the deference will be gone, the object pushed from the foreground into an uneasy, forgettable backdrop of a memory, condemned to a bookshelf of skeletons and unstable spines, slowly coming apart at the seams. despite the wear of the impeding drop in interest, the tear of ever-growing distance, gaps and disconnects, let this be the one i don't forget. the one i don't have to shelve. let your hands turn the pages with care again and again until they become a part of your touch, always opening back up to those passages you treasure.

at the moment



and then there is you.

on fairy tales

miss rosa may have had her ogre-tales shaping her narrative in absalom, absalom, but my theme is much happier for once. no dark twisted images, just childish (though maybe in the sense of being delusional) dreams and a smile despite all the obstacles in my path. i'm just waiting for the happy ending. a modern day romance.

articulated through texts, telephones, and twitter...and punctuated by mixes lovingly crafted, uploaded, and reduced to a web address. by leaks and blogs and pitchfork news, by pirated movies and tv online. trying to convey physical energy and desire, human inertia across a static phone line...then failing to put my fingers to the keys in a pattern that makes any more sense that my ever-increasing sighs and smiles, unseen four hundred miles away.

you're cute, amazing, and i appreciate everything you do. all the tears you've already heard, and the weaknesses that you not only see past, but somehow turn into something admirable. i've liked you for far too long... i can't believe you're mine. you, the person i never thought i would have.

so much for ambiguity, so much for pretense. for once in my life, i'm sure. no regrets, no lies, no facades, just a few worries about what may keep us apart. you're the one that i want.

08.15.2009

Buchloe, Germany

finally a day of unobstructed sun. despite the obligatory glisten on my forehead and those of the people around me, there is something so revitalizing about the sun on my skin. its like i can feel the energy from somewhere beyond myself seeping into every pore, filling me up with hope, awe and wonder. there have been too many days of apathy, gray, and mediocrity. maybe it is something about the pain, the burn, the discomfort that sets me at easte, but what it is - i'm grateful for it. this morning i had breakfast with a very well-spoken english girl, boo, before heading to münchen station, which brought me here to buchloe, then i'm finally off to füssen by way of kaufbeuren. hopefully i will be getting to füssen around noon. from there, a bus to the ticket offices, then an uphill climb to the town below the castles, then two hikes to neuschwanstein and hohenschwangau. a few more queues and the like, but a packed, segmented day. one last day of free will without sitting for countless consecutive hours on trains to get all the way back to amsterdam, where i will have to keep myself awake for hours on end until my flight, just to save myself the trouble and cost of even more transportation and a hostel for a few hours. i am feeling really torn emotionally about going home. i am loving how surreal it all is, and i am ready for some sleep, but i don't know if i'm as ready for reality as i would like to think that i am.

08.08.2009

Berlin, Germany

on the train again, and now it seems like this is the only time i actually find to write. there are these really nice spanish kids in my compartment with me, but at the same time they are really depressing me. i'm so tired of being alone, not just on this trip, but in life. i'm tired of the transient, impermanent nights that are punctuated only by regret. i wish i had someone to share my life with. yesterday at the hamburger bahnhof i had one of the lowest points of trip. unlike in copenhagen, this moment was inspired by a seemingly inane act, not a mounting, growing, inevitable breakdown. i was leaving the beuys exhibit to go upstairs to the rest of the collection and sitting on the stairs was this striking scene - a very attractive, thin, tattooed man (who reminded me a lot of cody)...a man out of my dizziest daydream, sitting with his wife and his daughter. nothing breaks my heart more than to see my ideal manifested right in front of my eyes.

i just had to take a break from writing, it was causing me to relive the moment and it was getting a bit overwhelming. i just lost myself for a moment in the passing landscapes until the monotony lulled me to sleep. as i started to close my eyes, however, the sun started to break from behind the passing trees and fields. i closed my eyes, despite the glare, and all i got were passing sun flares in my eyes learned i only see some memory but all i see is red small orange sunbursts that flash into my vision in frequent consistent intervals, constant flinches reminding me of the inevitable pain to come. my only choices were to either embrace the pain, or to open my eyes only to be blinded by the reality, or else to hesitantly avert my eyes right below the source, the blazing heat of this brilliant light, illuminating the days ahead of me. and what do i do? instead of choosing any of the above, i curtly excuse myself from this suffocating compartment to pace the halls and absorb the satisfying hiss of the opening doors between each new car

i swear it's different because i'm lonely
. i can't stop listening to barcelona. there is something horribly haunting about them, but so poignant and beautiful. it is something about the pull between the sadness and allure of it all on the edge of night we look down. . . if we got back to start(stars) we won't need any money. what would it be like to be eighteen again? to just be worried about jim and alaric, moving away and resenting my family and direction in life, fretting about cymbal line, standardized tests and dorm shopping. yet, here are some eighteen year old kids from barcelona, living parallel lives halfway across the globe and they are traveling the world, or at least germany. i wish i had that. i really think i need to come to europe, at least after my post-bacc program. maybe do my masters in the uk? i don't know. i know it is just another excuse to run away and shirk off responsibilities, social or otherwise, break ties without goodbyes, it is always easier that way after all. i find a way to run away, but there really isn't any way to actually escape anything at the end of the day, just put off the inevitable.

overarching rules have told me not to think about 'who am i?'. . . i'm searching desperate this hole is getting deeper by the hour, my hands are bleeding, i spin around. . . you're nowhere my only plans are too tired to push me anywhere but down. . .so who am i?. . .i'm searching, i'm desperate.

08.03.2009

Hamburg, Germany

so, today is yet another travel day. okay, i really haven't even travelled that much...i've only used two of my travel days on my eurail pass. i kind of feel like i need to play catch up now. yesterday was really hard...i really wanted to leave copenhagen, and the last few days have really allowed my mind to catch up with me, which is always a dangerous thing. after i left the cafe, i got coffee in the square at the end of strøget, which had my heart racing a little too fast by the time i was done. it's funny how your body can feel like it is moving so fast, like it is going to hit a brick wall at terminal velocity, while in actuality i am just sitting still on a bench in the sun, watching the people and pidgeons stream by at all of their various paces, nothing in tandem...just as my body is contradicting my mind and my pulse. i walked back to christianhavn, grabbed a huge (yet cheap) tomato øst and dressing sandwich from a small little side street, then went back to christiania, where this time i actually bought the bracelet i was looking for! i went back to nemoland, but the crowd was much older and slower since it was, after all, a sunday. i say down next to a couple of danes, but they weren't nearly as personable as renee and anas had been the day before. my dad called me as i was walking around, only to break the bad news about nanny. we talked about my books and loans for school, as well as the arrangements with john in berlin since he would be picking me up from the train station. as i hung up i was met with a short little stri lankan man, mike, who 'really wanted to take me out for a drink.' i couldn't really shake him though i was clearly trying to outpace him during the walk back to strøget, but i ultimately gave in and stopped with him at a very open and very public bar in front of the stork fountain. he was really offended when i insisted that he switch pints with me since he ordered up at the bar without me, but i'm glad i did it - better safe than sorry. he was really annoying, ignorant, and had very poor english, so i excused myself as politely as possible, only to find myself in the beginnings of a thunderstorm. found the hovedbibliothek, but it was closed since it was sunday, so i tried to find a use-it that was in my guidebook so that i could check my internet and blow time...but it was nowhere to be found. at that point, i only had about two hours until i was supposed to meet mathilde at the apartment, so i went back ot the station, and then headed back to valby. i watched the 2009 mtv movie awards on vh1, of all places, then took a nap, a shower, watched part of an RFK conspiracy documentary, and an episode of gossip girl, and then Mathilde finally made it back.

chat and cigarettes later, we started watching an old American movie, The Only One, from 1994, that happened to be starting while we were channel surfing. it was really good, but really depressing, and i had an utter breakdown. mathilde was crying about philip and i was crying about nanny, about being alone, about all boys, leigh, my inadequacy, the dread c word (hint, six letters not four). i don't stand a chance. i'm never going to be old, and i'm always going to be alone. i am nothing but a novelty that in some way resembles something more than average, but that never really amounts to anything. i had been running away from myself, hiding behind a mask of bars and happy hours, clubs and pub crawls, dresses and scarves, cafes and nicotine. a day of being idle in copenhagen, however, made it all come tumbling down. mathilde and i laid in bed trying to laugh and comfort through the tears, and eventually the endless mechanic hum of passing cars, and all the inevitable, undeniable motion and continuity of the world around me finally lulled me back into passivity, though my poor heart needed a bit more convincing. i woke in better spirits, or at least in denial. i know it should comfort me to know that i'm not alone in feeling this way, and that i should be grateful, one, that i picked myself back up for the time being, and two, i had mathilde there with me...but even my subconscious wasn't buying into it in my dreams. i can't help but feel like this is some kind of competition, that i should weigh my feelings and experiences against mathilde's own suffering, but i can't seem to establish the criterion, past and present factors, sliding scales and variables. at least she has had real love, or has a boy that cares enough to mistreat her. what kind of person am i for even thinking about these kinds of things? i know that i like to get at what is, what something means, what is going on behind - how it connects, compares, matters...but trying to rank my own shortcomings in terms of how another feels seems ...perverse.

while i can still remember - about my dream. i was working in a chemistry lab and i had to fly to see some people i knew. the airport screened for radiation and i was the only one who kept setting off the radiation detector, but they eventually just let me through (a la The Only One where the main character cries and begs until she gets her way). we got into the air fine, but the plane started to come down, so we made an emergency landing, but somehow it worked out in my favor and the next thing i knew i was at faubion, my elementary school, with all of my colleagues from millsaps and some elementary school friends, though they were all grown up. we kept doing our research, which was very reminisicient of the research i had done with kramer freshman year, and then someone realized that i had been the victim of radiation poisoning, so they told me to run to the nurse right away - it was my only chance. i sprinted through the halls of my childhood, once so familiar, and finally found the office, only to see that i was only jim chow filling in and there wasn't anything he could do. my interpretation of this dream? even if i had continued on with my original plan and had pursued chemistry, which would have led me everywhere (or anywhere) but where i am right now, i still would have been the victim of the same over-arching result, just by different means. even when i tried to run away, i ended up right where my consciousness emerged, back at faubion...trying to work my way through my current problems, out of context, helpless. way to fuck with my mind, subconscious, way to go. the whole dual radiation meaning...touche. i can't believe i'm still in such good spirits today after all that, and all things considered. maybe it is just because i am headed straight into something exciting, something i desperately want, instead of trying to assimilate into some kind of unattainable social circle like was happening here in copenhagen. well, all i can hope is that this glimmer of happiness continues to flourish and at least sustain itself, and me, enough to get me through the rest of this trip, back into the comforting arms of complacency and familiarity in the south. it is becoming increasingly difficult to write on just my lap in this moving train, so signing off...b.

a picture is worth a handful of words

i spent a little bit of time on my favorite tumblr earlier today and it has been a while since i had a post like this, so here goes. the first is my favorite. anything from perks makes me think of mindy and andrew, plus it is one of my favorite lines.
for you, but also for me, just like everything else.













and, of course...




reasons like seasons they constantly change

and seasons of last year like reasons have floated away. . .

a mix partly for a friend, mainly for this time of year.


http://www.sendspace.com/file/rix98f

close reading music

there is a project on campus that is led by the philosophy department called hooks, where they ask for submissions about why songs/literature/movies/art are compelling, and why you find a particular work compelling. some cool examples from the past? the vocal line in "twist and shout" or the bass line in "i will possess your heart." i am more of a "big picture" kind of person, which is reflected in what i talk about (i think). these are the hooks that i wrote last night. download links in the titles, and videos at the end. if you haven't heard the song before or aren't very familiar with it, i suggest listening to the song, reading, and then listening again.

Band of Horses, “The Funeral”

A simple ethereal vocal line drifts in alongside the tentatively slurring guitar line, setting the stage. Isolated and mournful harmonies add to the somber tone that meanders before ultimately reaching the jarring full-band unison of the first chorus. The bottom suddenly drops out and the subsequent crescendo of the drums, halfway through the chorus, lends itself to the growing grief elicited from the reminiscent nature of the lyrics. The recurrent ebb and flow of volume, contrasting drastically between verse and chorus, mirrors the dynamic nature of the singer’s emotional response to the matter at hand. A false hope of resolution and finality occurs at the 2:45 mark, only to be followed by the most heart-wrenching thirty seconds of the song, the one exception to the lull of the troughs and peaks preceding it, with the only verse that maintains the same level of emotional anguish through to the raucous chorus. The grief hangs static over the full sound of the entire band, with vocals, spoken expression straining to be heard over the instrumental strife beneath.


Neutral Milk Hotel, “Holland, 1945”

The opening measures start out in a stereotypically rock and roll fashion, raspy voice counting off “two, one, two, three, four” over a metrically driven instrumental line. With abrupt lyrical phrases that do not necessarily match breaks in thought or expression, the first line is misleadingly turning the listener’s expectations on their heads. “The only I girl I ever loved,” despite expected genre-based conventions is not introducing a love song, as the listener would anticipate, but rather a grotesque scene where our subject is “born with roses in her eyes.” Though this line is still somewhat cryptic and could be construed as merely symbolic, the subsequent line “but then they buried her alive - one evening, 1945” removes any remaining doubt that the nature of the subject matter at hand is steeped in morbidity. The persistent muted trumpets add an element of frivolity in opposition to the severe, macabre imagery, thus creating a backdrop of flighty irreverence in response to the somber nature of the lyrical composition. This interplay of expectations and execution adds to the mounting discomfort that is instilled in the listener as the final measures are passed back and forth between voices. As the instrumental lines amble around a resolution, they finally grow into an almost imperceptibly off-kilter final chord, leaving the listener with a sense of unease.

a lot of strange videos came up with this song as the background, but i thought it was important to have a studio version of the song, not a live one, for reference.


Manchester Orchestra, “I Can Feel A Hot One”

Simple, repeating guitar progressions carry on beneath Andy Hull’s tenuous and hesitant voice, a voice which feels more spoken than it does contrived or produced. As the uncertainty in his words begins to clear and acceptance that “I’ll face the fact that I’m just fine” rises to the surface, the complexity of the composition parallels the increasing complexity of his interplaying emotions. As increasing levels of intricacy compound, different trains of thought existing alongside one another, the vocals begin to layer in over one another in harmony. The addition of sorrowful strings, a few stray hi-hats and the occasional drum pedal later, the composition blossoms into a complicated landscape of weaving vocals and increasing instrumental involvement out of what had started out as a simple dialogue. The lyrical styling offers a dimension of vulnerability that is often lost in studio renditions or that is found only in intimate, live performances. The candid nature of the song creates a sense that the listener is eavesdropping, as if listening in on someone’s private thoughts, full of inner dialogue that riddled with retrospective musings such as “[if] enough is never quite enough, what’s enough?” As realizations mount, harmonies become more adventurous before being shaken off in favor of a sing-along worthy final reprise, quelling all of the variances into simple, straightforward succession.

this embedding on this video is disabled, but it is worth seeing - so go watch!

http://www.youtube.com/watch?v=5i01O0wMCr0




on influence

if you didn't already figure it out, music defines me. or maybe i define myself by music. one or the other. i always go through phases, in and out, up and down, never knowing where my taste will lead me next. there are some albums, however, that have been better friends, better outlets than any real person in my life has ever been. the more i think about it, the more i realize that every state of mind, every period of my life, every transition...there is a soundtrack for that moment. though there are dozens more that have their moment, that left their mark, these are twenty five albums that have changed my life, saved my life, or opened my mind. most of these don't exactly boost my ~cred, but they all mean a lot to me in some regard. note: these are not in any kind of order...if anything, the last album pictured here has arguably been the most influential.

the postal service, "give up"


waking ashland, "composure"


panic at the disco, "a fever you can't sweat out"

circa survive, "juturna"

band of horses, "cease to begin"

neutral milk hotel, "in the aeroplane over the sea"


the mars volta, "de-loused in the comatorium"

cartel, "chroma"

manchester orchestra, "i'm like a virgin losing a child"

be your own pet, "be your own pet"

brand new, "the devil and god are raging inside me"

dashboard confessional, "the places you have come to fear the most"

weezer, "weezer"/the blue album

the rocket summer, "do you feel"
this providence, "our world's divorce"

the starting line, "direction"

something corporate, "north"

the hush sound, "so sudden"

fall out boy, "take this to your grave"

mae, "the everglow"

panic at the disco, "pretty. odd."

death cab for cutie, "plans"

all-american rejects, "when the world comes down"

the format, "interventions and lullabies"


jack's mannequin, "everything in transit"